What (0v0) is About · 12 August 2008
Three days of search phrases. For Ash.
academia karma yoga
(punhunter)
orgasm mindfulness, cult of yoga
I want to be a sheep or a goat (or) I just want to be a sheep
How do born agains view yoga? (christianity intellectually impoverished)
Ashtanga yoga shut up sticker
(anusara deceptive)
theoretical archaeology group shit days and crazy nights
AYSF anything you say: ruthless compassion chogyam trungpa
(eating cheez its makes me fat)
yoga false self platform step down (!)
beta state ego;
naked yoga;
ashtanga is dangerous
(Does the chest ache during growing pains?)
whipped after ashtanga
dith pran tilted arc; durkheim collective effervescence; hormiguita dylan Present absence; Owl departed human form
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Categories: power of suggestion
Is ashtanga like bad sex? · 3 June 2008
Ok, tempering the ashtangelism….
People who dance often tell me the practice makes them feel beautiful.
People who practice ashtanga often tell me the practice makes them feel fat.
The median dancer is 20 years older and 40 pounds heavier than the median ashtangi.
Other differences in form, state of awareness, and possibilities for expanding boundaries of “self”:
Ashtanga: lotus binds; pick-ups; strong boundaries around individual experience.
Culture of “working on myself.”
Mental states: advanced practitioners (regardless of place in the series) cultivate trance and practice meditative contemplation through tristana, while it’s key for earlier students to focus on the physical forms. Energetic thread is lost when posture takes over and movement stops. Weak correlation between mental state and physical posture because you can’t really deduce mental state from posture.
Dance: free form; spontaneous; weak boundaries around individual experience.
Culture of deep introspection, acceptance, self expression.
Mental states: most people pretty instantly go in to trance with the pulsing rhythm and the energy of a large, sophisticated group. It seems like they go into either a gut-level, emotion-rich undifferentiated consciousness (a sort of primal state?) or a sophisticated, contemplative state that feels a lot like the open-inquiry stages of vipassana. If they stop moving, it may mean they’re “not feeling it” or that they’re in a trance state in which stillness brings even more depth than motion.
Does ashtanga make one feel fat while dance makes one feel beautiful, regardless of actual body-looks? What’s up with this? If good sex is partner-merging and bad sex is body-critical and self-conscious, what does that make ashtanga?
Also…
What’s the best place for the “self” within an altered state—front and center or “forgotten”?
If you experience emotion as “not mine” and “not-me” in dance, does that limit the possibilities for it to be a “transformative” thing during which you process your own shit and finally, personally, letting it go?
Does ashtanga give you less of an escape from difficulties of transforming the psycho-emotional stuff in your own body… is it more difficult in this respect than other embodied practice? More transformative?
Why don't ashtangis really dance?
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Categories: astanga yoga
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"Decatur memos" · 22 April 2008
The first year, the question in play was What is this mental state am I experiencing every day?
I was all interested in neuro-linguistic programming from Milton Erickson through Bandler and Grinder to the self-help guy Tony Whateveritis. That was all about suggestibility and the idea that there was a sub-conscious mind. (Side note: the first day I practiced with my teacher and he said “just establishing rapport…” I knew he was hip to the NLP and probably an eclectic like myself… which of course turned out to be exactly right.)
In that line were yoga nidra of course, the intriguing Edgar Cayce, a lot of dimestore self-hypnosis New Age nonsense and cheap evolutionary theory á la Robert Anton Wilson, and finally a mysterious, ancient cassette tape I had mailed in from a distant archive like a character in Umberto Eco. On it a woman called Jasmine Riddle intoned the most potent yoga nidra sequence I’ve ever found, but I can’t tell you what’s in it because I never got past the second minute without my mind shutting off. It would return 50 minutes later, Ms. Riddle whispering to me to wake up. I guess I could try to crack her code but I don’t want to re-request the thing through ILL because my reputation with the university library is already sketchy (seriously).
At the same time, that first year, I was starting to explore Vipassana. Which, at first (shamatha practice) was all about concentration and operated on a simpler idea of the mind than the hypnosis people. For Vipassana, for a practical purposes the mind was just the house of “attachments” and “suffering.”
Together, the NLP and the Vipassana led to a relational question (usually the best kind question): what is the relationship of meditation and hypnosis? (And: which framework is better for mapping my experience, or do I need both?)
The Vipassana people will tell you meditation is not the same as hypnosis. Not the same! Of course they will say that: if it were the same, you could get the method without the metaphysics (the metaphysics being the belief system anchored in the Four Noble Truths, though they will also tell you that this is not a theory but a fact revealed by looking inside, like Socrates supposedly revealed geometry to the boy in the Meno). Over time I found a few very good answers from Buddhist scholars for why meditation and hypnosis are different (along with a lot of answers that made me suspicious), but none of the answers were so good that I remember them.
So now I am concluding the fourth year, and I am still not sure—experientially—what is the relationship of meditation to hypnosis. But what is different now is that I trust myself more as a first-order experiencer and when applicable a second-order witness of that experience. And, I’m a lot more interested in the tones, textures, and subtleties of altered states, and in the meaningfulness that seems to arise out of them after the fact. Also, there is the whole phenomenon of other minds (not the so-called "problem of other minds," thank you), and the ways groups actually share and collectively deepen altered states.
Outside/objective approaches would just quantify things: measure brain activity and be done with it. What if they found that the elecrtromagnetic map of asana (which I experience as meditation ranging from light to deep) is the same as chanting (which I experience as full-on hypnosis)? Would having it quantified externally as 1=1 answer the question?
Actually, yes. And no.
The problem with the subjective side is that once I’m in an altered state I’m not much fit to gather data. And since I love altered states my reflections on them are colored with the emotions of wonderment and joy that I associate with them after the fact.
Is there some kind of meditative-hypnotic spectrum that cannot be reduced to an electroencephalograph readout? Inside, there are other spectra in play:
-witnessing/nondual
-passive/active
-receptive/one-pointed
and others.
Just to mix it up, I practiced this morning with the Gayatri Mantra droning over and over in the background. Swaying right out of my body just standing up, but sharp and focused for the rest of it. It was pretty strange and delicious. Chocolate with chili powder.
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Categories: arbitrage
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Downshifting · 21 April 2008
Time stops in Ojai when the moon is full. I took my laptop and forgot to open it, my cell and was heedless of it. Early yesterday I looked at a clock and saw it was 3, shocked by the horrible existence of time, and reset my ticker to come home. Too relaxed to plan the coming day, or to regret the weekend’s complete unproductiveness. That depth of relaxation is amazing outside of time, and for now only available under that condition.
I’m reminded of a letter I wrote to my uncle and aunt when I was 19 and outside the US for the first significant duration. “The 18-year-old knots are falling out of my kidneys….” I’ve been embarrassed by that because it so exposes my motives for studying in Costa Rica: crass escapism. I projected all my fantasies about “freedom” and “finding myself” on to a country (of all things) because 876 miles away from my folks had not been enough to make them leave me alone. That is some serious imperialist escapism. But hey, I grew up a little that year, became somewhat less the ignorant and unconsciously superior American, and in the process realized that I had something like low back tension.
Anyway... why is it still true that I require a literal shift in time and place in order to relax fully?
I’ve conditioned myself to downshift to a specific mental state for practice. So many resources for this—all the internal practices and external rituals which surround ashtanga and make it not only familiar but juicy. Plus, I tend to collect arbitrary environmental cues that remind me about my mind and slow it way down. This is all another conversation.
It is pretty great to be able to hypnotize yourself more or less automatically. But while getting in to surya state is relatively easy, I'm less equipped for dialing down even deeper to let it all go. Lying there this morning I used an oblique strategy to relax the jaw: Body, I said, relax the teeth.
Brilliant. Who knew that tracing the boundary between the root of the eye teeth and the palate could knock you out? So here is one deep relaxation practice, ok. But I wonder if I could go there on another day, when time and the practicalities of productive life are closer at hand. And I'm not sure that I should, given I need and want to live intensely out here on the academic dancefloor and don't fool myself that this is possible in anything near delta state. Unless I can teach myself to shift in and out with a clean automaticity. Mmmm...
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The Return of the Inapprpriate Yoga Guy · 3 April 2008
Sheesh. There’s sexual energy that sees itself… and sexual energy that is just desperate to be seen.
Should be no surprise that an informal collection of teachers (of both sexes) counsel each other on the gender biases that we have inherited from past generations of yoga asana tradition. How to engage this legacy while acknowledging and gracefully altering that aspect? Important discussions, and ones which don’t quite need to have their energy drained away by continual public re-explanation that yes, folks, the tradition has been sexist. (This discussion good because of how easy it is to re-gender yoga, reactively, with an angular, uber-disciplined harsh-girl vibe... YJYW culture, with its ballet undertones, might hold the seeds of that.)
Some participants in that conversation about gender have made a commitment not to study with teachers who throw their sexual energy around a classroom. It’s not like it’s any secret who these teachers are. Some of them get famous because they are so very sexy. I don’t have a policy or go around investigating teachers' sexualities, but I understand the impulse to be mindful about this because, obviously, a teacher has access to what Steve calls your inner sanctum. Your "psyche" or (whatever you call the inner world of motivation and desire) is available to a teacher’s subtlest suggestions when you practice, so why expose it to someone whose sexuality/ creative energy is adolescent, dominating, or attention-hoarding? That’s sort of the definition of uncontained— wasted— energy.
If you find yourself doing your hair for yoga, tanning for your practice outfits, or getting nervous stomach… what’s that about? Is it coming from you, or are you responding to something?
How do you know if someone’s not self-possessed sexually? Well, there are the painfully obvious indicators. If they constantly, tenderly adjust students' hair (my favorite), or gingerly align waistbands, or breathe on you heavily, or seek out a lot of charged eye contact… well… give me a break. How tacky do you want your practice to get? Why not practice with someone who is more refined and alchemically sweet?
There is a part of us who wants to go back for the blatant mind sex (Oh yeah! Fun! They keep me mindful! They put me in an “altered state”!), and a part of us that sees this behavior for what it is. Adolescent.
Probably better for yoga to recognize it even if it doesn't recognize itself.
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Obliquity · 25 March 2008
● The old scorpio archetype is one I don’t mind measuring up against my personality as a kind of interpretive tool. There’s a freaky lot of resonance in that collection of traits. I’m less excited about the things said about the Aries moon, but the alpha debate geek in me lives on despite my fantasies that she’s just some adolescent growing pain.
● Nothing brings her out like sparring with the Daily Miltonian, which I did a little bit yesterday out of public view. Phew.
● Turns out one thing we can agree on is the way that boy-clubby creative communities—a piece of Americana all the way back beyond the Beats—make us both want to run for the fringes even as we recognize they have a kind of special creative greenhousiness.
● Which reminds me that one boy-centric orbit I romanticize and draw on is the whole decades-old Whole Earth Catalog / TED / Long Now Foundation Bay Area sensibility. Stewart Brand, Brian Eno, Kevin Kelly, those guys. Can’t help it. Brian and his friends (other groups of them too, I guess) knock me out.
● All of which reminds me of the two suggestions that seem to be shaping my thoughts about blogging recently.
● One a blog post from Kelly: short is in. Nice! [via Rex.]
● The other Eno and Peter Schmidt’s Oblique Strategies cards. A kind of chance-embracing, post-divinatory pack of trump cards meant for drawing on when you feel like making a fast creative change of tempo.
● Drew a card the other day, and it said:
● Ok. And then today the card said:
LOOK CLOSELY AT THE MOST EMBARRASSING DETAILS AND AMPLIFY THEM.
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Narcoleptic · 10 March 2008
The body may be open, but this does not mean you’re all processed out. Or a nice person. Or whatever. Besides, there are a lot of places that asana cannot reach.
Which does not mean that yoga cannot reach them. No seriously: this is a practice of pushing back the veil into the unconscious.
It’s reassuring when I can catch an edge that I didn’t realize was there. Here’s the snag: reactivity about yoga practice that focuses on outer form rather than prizing the breath. An objection that’s completely legitimate. Except in this case it’s more like a little delivery system for my personal hangups.
How could I not feel this, coming out of a school where much of the teaching is to create cover-ready poses. I’ve been oppressed by form! Praised for “perfection” and taught such a thing is attainable in asana of all places. All while in a highly receptive trance state. This history’s in me.
Some artist-friends have this phrase for ambition: “He wants to be on the magazine.” But in my history, that is more than a funny turn of phrase. All this weird energy about being on the magazine.
And here I am, the contrarian who goes narcoleptic when people talk about physical practice, who says throw away the magazine, who won’t watch the DVDs or look at the practice manuals. Won’t do it! Let me out! I’m dying of boredom!
Seeing past form to breath and energy is all good and puts the focus in a deeper place… but, in me, also fosters this invisible hardness that I’m getting away with carrying. I can hide it because (1) the body seems open and I know how to act calm and (2) if I do talk about it, I can easily legitimate the rhetoric that the reactivity creates.
What I’m figuring is that the source of my asana-narcolepsy is this little nest of tangles. Trigger what I feel is obsession with form, anything that looks like perfect body OCD, and I immediately tune out. I can’t stay around for it. Just realizing this doesn’t make me ok with it. I’m still SO narcoleptic, and underneath that, annoyed by the superficiality of form.
This metaphysical fussiness doesn’t go in to any obvious places in the body, but the stupid truth is that it has a little trigger in my solar plexus. I’m somewhere between amazed and further annoyed that, due to the yoga, I can feel that quickening-tightening in the nerves.
I’ve got some peace to make here. If I want to chill out, it means accepting of and valuing form as not the enemy of spirit.
There is a huge amount of unhealthy obsession with bodily “perfection,” and with postural form, in western yoga. God. I am sure it’s nowhere worse than in this town. But I’m not in a place to see that clearly if I’m just letting the reactivity in the solar plexus do the thinking on this matter.
It’s a little funny to practice hundreds of asanas every day for years and simultaneously hold the belief that physical form does not matter. And ironic that the way I’m finding this edge is not by thinking about it so much as coming across physical and half-physical cues in the body itself. The latent fussiness about physicality actually has a body of its own.
EDIT: ANY READERS WHO KNOW ME OR SUSPECT YOU KNOW ME NEED TO SEE MY CLARIFICATION IN THE COMMENTS: IT'S COMMENT #14 BELOW. THANKS.
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Control, Spokes, Scandalon, Obnoxious, Blog · 26 February 2008
Said to me in a ladies room: "I found your blog and would have never guessed you were such a tweaker! Look at that! You and your random expletives! If you were a man, I'd totally date you. You're a crazy girl."
The other night I re-read something written in my private journal back in December. For those who grok the tweak. Here.
ooO........................................V..........................................Ooo
I wonder if I could pull it off—some sort of practice of writing- from- behind- the- veil.
I say and I say and I say that I’m going to use the owlspace to write less analytically. And then it’s back to conclusions and punchlines and figuring-it-out mind. One trick monkey. Always got to narrow it right down to a sharp little point.
Mmmm. But one-pointedness is for non-thinking. Not for thinking!
My teacher, these past months, he spoke to me in free- association. We’d freewheel for hours and see where it went. It’s perfect for me, the unstructured structure. Conversation is only fun, really, with those open to tangents and awake enough to hold open eight topical lines… and, in the end, speak together their spoked connections. Simultaneous limbs….
Is there a subconscious, unconscious, darkside, whatever? Just look at the modernism of that notion—the old school dualism. Yet… anymore I am sold. Because what else are dreams, and the place lost details go, and the lines of poems or films or scripture that lodge a little while in the mind? Where do superstitions and space aliens live?
With the Jungians I think of a shadow, though not to say it’s all dark as in devious. More like dark as in harder to see.
Freewriting can get you there sometimes. If you don’t get all anal and weird about your process (as science has trained me, so intensely, to be).
Wm Gibson—who writes from his subconscious with some genius—said something about his first chapters, which tend to be opaque and aesthetically not-quite-right. First chapters are a kind of gate he finds himself setting out at the start. The little obstacle helps him find his readers--and encourages people who shouldn't actually be reading to put him back on the shelf.
How obnoxious of him.
Nice!!!!!
Does all of that make sense? I wonder how long I could continue in the back seat without freaking out and taking control back from the Blog. (The scientists would not approve of all this...)
Blog is in control.
Blob is in control.
Glob is in control.
"God" is in control.
As if.
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Present Absence · 6 February 2008
Monday in practice, not seeing it coming, I went to a place I didn’t know I could go. Funny, that first experience of it. I went in to slight holy shit-mind for a second: the mind that says Oh this is a threshold. This is something.
When I came out of it (the holy-shit mind and the posture) the teacher was standing there. Not feeding back anything. Not approval, smirkingness, or it's- about- time- you- went- there; just a being there for it.
--That was a no brainer.
--Exactly.
Walking off.
A friend—I will call her Jedi Riverdance—said this looked like analyst-analysand in a traditional psychotherapy relationship. A truly processed analyst doesn’t take up space or cut the stream of consciousness by inserting much reaction. If they’re good, they tend not to privilege one moment over the other—there’s juice to be found as much in the mundane as in the apparent climaxes. If they’re good, they know exactly when to respond and otherwise they just sit, actively, and hold the space.
After I listened to Jedi Riverdance (trying just to listen and get her, without half-hearing as I jumped to telegraph a response), I thought of the monks at Deer Park. Their unnerving “mindful listening” thing. Active, but not re-active. Just being there to receive what another is saying, hoping their present absence of word or body language will open up more possibility for the speaker to go deeper into what she’s capable of saying.
A lot of times, that kind of being-there for people—without much obvious feedback—just freaks us out. We want cues to know how we are doing, and do not understand the highly cultivated, chilled-out silence of a mature teacher who is saying Go on, I’m good with whatever comes next. Just go on.
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Serious Fucking Alchemy · 17 January 2008
Can I say that?
Yes. Breakfast with the ineffable again this morning. Probably, it is always this good but my mind forgets to note it.
Oh who am I kidding??? This is special. Serious. Fucking. Alchemy.
How many days in a row are we going to hit paydirt like this, kids? Are you wondering the same?
Yeah, you give up the digging of a thousand shallow wells. Choose a method and just mine it mine it mine it like a dirty methodical little drone…, and now and then you hit a vein like this.
Think you can take it to the bank? Want compensation for your efforts or your surrender? Want to buy in? Riiiiight. Not packaged for resale. It’s here and it’ll be gone soon. I’m too much my teacher’s student to hold it or him or us tightly, and this only increases the joy. Like contemplating death increases your living.
The room is packed to the point of a waiting line, because everyone in fifty miles whose value of practice edges out her compulsive need to be right (hello: what is that hangup about except self-sabotage? It’s ok, we all get in our own way; but we don’t have to keep doing it forever) is on a mat in that room. Post-political practice space, right here for the making. Get in! Carpe manduka.
Many days, there is no assistant. A few who have been at this thing a little longer will give a neighbor an adjustment in supta vajra or pachimo. I’ve been doing a pretty strict counted practice this week, and this highlights strongly the relationships that facilitate my rhythm and those that do not. One companion, I can come to the top of a vinyasa, shift over for his supta vajra, breathe him through it and take one step to the mat without ANY shift in mental state. He doesn’t reach for any talky talky connecting, doesn’t put some kind of lowly beta-level awareness on me. And I come back to the top of the mat just like I’d added a posture—supta vajrasana B—between chakorasana and bhairvasana. Two others on that same train in the immediate perimeter, but another who hasn’t quite caught on. I love her just fine, but if the greater good is to contribute to the collective rhythm that supports the alchemy, I have to let her wait for the teacher. Because his awareness, given which he’s doing and what he’s done, is less fragile than mine.
I got in the car and this was on the stereo, loud. (What I get for blaring Back in Black, from the Unholy Los Angeles Driving Mix cd my brother made a while back, because I thought it a good way to toast RP this morning. Or at least so it seemed on the jaunt from bathroom floor pranayama to the door of my car, as the CDs live in a big cramped bookcase in the hallway. And it did work nicely for cruising Santa Monica Blvd in the dark, though I did frighten a homeless man at a stoplight. Anyway I took the highroad--Wilshire--back here to the working class fringes of Santa Monica, trumpeting Prince's version of the apocalypse and definitely in a state unfit for operating a motor vehicle.)
That’s a lot of apocalyptic Americana from twenty years back. But AC/DC and Prince never knew the shift in consciousness would look like this. This quiet, this early in the morning, and as much about working hard as it is about letting loose.
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Zee · 10 January 2008
I called you and you answered, beloved. Now don’t be a jackass about this.
You tell me no drinking practice. It is too dangerous for me. I have too much chemical history and too much delusion. I become identified with desire and forget who I am.
But desire is good for me! I desire to practice! I desire to find an edge where something is revealed. And maybe someday, to understand something. (It is true that now I understand nothing, and all my analysis just deludes me more.)
Five years I have refrained from drinking, Zee. FIVE YEARS. I had no desire during these years. If the desire is the touchstone of the practice you describe—letting it arise and then simply sitting there and observing it (but not indulging it)—I actually have to drink to awaken the desire and keep desire active.
It is like sugar craving. If you stop eating sugar for 40 days, the first week is agony and then the desire fades. Afterwards, sugar-refraining practice is no longer practice. It is simply habit. There is no practice anymore.
But danger is good, Zee. I am strong enough for dangerous practice now. It makes me wake. Do not worry: I am not identified with danger. I conduct a quiet risk-free existence of physical exercise and mental exertion and meditation and organic food and plentiful rest and abundant sunshine and affectionate relationship. Boing. Danger is not my game—not usually.
In fact, my usual game is refraining. Austerity is too easy for me. The world feels heavy and I want to fly away from it (doing third series especially, you want to fly away if you are not careful). So I should do being-in-the-world-practice. Not refraining-practice. Isn’t it true?
Don’t pull a Maharajii on me Zee, like when you told my friend Ram Dass to “be completely honest” but also “love everybody” at the same time. It is too much, oh Thousand-armed One, Master of the Universe, oh Krishna. I will not grow this way.
I am lucky. I have craving in my veins. I can use this. My suffering is greater than if I had no craving, and the agony will drive me deeper and finally (some day) shake me into consciousness. Can it be?
In the end, what is the difference between being a "connoisseur of the breath," a connoisseur of the moola bandha, or a connoisseur of buzz? Do you not teach that it is all the same?
If not drinking practice, then what will be the method of my being-in-the-world practice?
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That Was Embarrassing · 4 November 2007
Some of you will have read the nice story I told on Saturday, about being born the day they elected Jimmy Carter.
That’s my truth. It’s been my truth for years.
Also, November 3, 1976, was a Wednesday. Election Day was the day before that. My mother did go off to the hospital after voting in the high school, but I didn't arrive until well in to the following morning.
Huh. At least learning this was not as large a disappointment as the actual Carter presidency, which began with such hope and populism with Rosalynn and Jimmy walking down Pennsylvania rather than taking the traditional Inaguration Day motorcade (or so the story goes)… and led quickly enough into gridlock with Congress, oil crisis and eventually hostage crisis, and laying of all the ground for the enduring horrors of the Reagan Revolution. Come to think of it, I’m so glad I wasn’t born the day they elected Jimmy Carter.
So much for peoples’ history.
We have some stories like this in my family, and I suppose the historian in me finds them a little too fascinating. There's a case to be made for letting the concealed things remain concealed, though I'm too interested in everything to operate that way. A true story worms its way to the surface every now and then.
Meanwhile, damn the blog and its auto-correction tendencies. When I start writing about my early years, I wonder what the hell is going to break loose.
There’s much to be said for “my truth” even when it doesn’t map on to the truth. The subjective side of history is as determinative of the present and of the future as is the objective side. (Or more determinative...? Naaaah, I'm too far to the left for that.) Both subjective and objective histories are alive; and insofar as my sense of destiny and possibility lives in the mindstuff, that Jimmy Carter thing has been ramifyingly true for years. Not trivial.
But it is nice to let it go.
Those of you silent ones who caught the mismatch and let it go again without saying… mmm… what am I going to do with you?
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Breakfast of Champions · 15 October 2007
The other day I called the great ashtanga tagline—do your practice and all is coming—a magical solvent for the removing of bullshit.
Someone came around and said no, it is just a koan. Because really: practice and what is coming?
Your baggage. All of it. To the surface.
Your relationships – some of them. To an end.
What is "all"? Quitting your job; weird pilgrimages; injuries nobody understands? Kapotasana?
I figure the line is a kind of dismissal, from the master who walks away in response to questions that are more about the showboating of the asker than the meaning of the inquiry. An old-timer told me once that SKPJ’s not-knowing of English has provided a crucial layer of insulation from all the stuff that western students would project onto him and would demand of him. I can imagine. Everyone wants a piece of him or of the heir. Everyone wants to claim a relationship that is reciprocated. Intimate, even.
Do your practice and all is coming is such a good non-answer to so many questions. You don’t even have to understand what has been asked, really. It also offers seven convenient reinterpretations: put the stress on a different word for each day of the week.
Maybe that is koan-like. Yeah kids: take that one home and meditate on it.
In any case, I like the line very much. And I actually do use it as a way to consider what it is that SKPJ meant by any of this, all of these years. The professor who finally left all the talk in the university and gave the best of his energy to this thing that only makes sense in silence: I won’t pretend that story doesn’t resonate with me in a large way.
I suppose that, product of capitalist society that I am, I’ve turned the old refrain into a bit of a slogan.
Ashtanga Yoga. Do your practice and all is coming.
Ashtanga Yoga. Do your practice and all is coming.
Ashtanga Yoga. Do you practice and all is coming.
Ashtanga Yoga. Shut up and salute.
Ashtanga Yoga. Shut up.
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Inverted · 1 October 2007
I’ve been a morning practitioner since before I remember. (Short memory, or more like short identity-horizon.) By now all the routines in my life are tipped toward 6 am, where I stop for half a minute. Then the mechanism rolls over into a new cycle. Click.
Week before last, my morning practice space was booked with a kind of class reuinion, so I shifted to the evenings. Class began at 5, doors at 4:30.
I was not particularly enthusiastic about the shift. Practicing in the morning is my idea of really living, in a way that I wouldn’t know how to describe. Also, I’m convinced that I cannot get my mind to perform well throughout the day if I haven’t first cleaned the slate… and that my body will make me crazy if I don’t spend down some energy and stretch out the worst of the tension first thing.
On the other hand, evening practice is suboptimal on many levels: mentally, you’ve got far more static to contend with; physically, there is the fatigue of the day as well as in my case too much openness in the hips; and digestively, you don’t have the significant calming effects of a 15-hour fast (yes, I do frequently skip dinner).
That’s what I knew two weeks ago. Thought I knew. After the first week of evening practices, I did it again. And now, I’m about to do it a third week. God, what am I doing messing with the machine I thought I had perfected… at a time I most want it to run like clockwork?
I don’t know. I guess I’m letting the machine run itself a little bit. And right now it wants to stand on its head.
I’m still working out all the ways this changes the rhythms and the functionality of my mind and my body, given the intense things I am asking them to do this year. But what I saw the first week is that if I take the energy I’ve trained to spike in the mornings and sublimate that back into sociology, my writing is more focused and less full of shit than it has ever been. It’s strange not to practice first thing. Moreover, I recognize that I’m milking a spiritual tradition not of my own making but now of my own body to feed the pursuit of western “science,” and I’m not convinced that science is worth it. But, maybe it is.
Finally, I don’t know how long I can keep it up.
More on this as I realize what is going on.
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Unscientific Postscript to Yoga is Dangerous · 25 September 2007
I’ve thought over this matter in the past week, thanks to the many people who have emailed me. Thank you, everyone. Sometimes it amazes me that there is true community here, and that these are relationships where we work out aspects of our practice as much as we participate in creating a bottom-up side of astanga culture. We are creating this world as much as its authorities who we mostly revere, and that is sort of revolutionary.
So, two notes on the matter of petite brunettes with daddy issues.
One. If the desire to “put oneself out there” as irrevently funny trumps a sensitivity to the real power big men have over small women—if ego trumps empathy—then clearly this person has not gone through the process of self-examination of inherited gender conditioning, and radical affirmation of human equality, that I’d wish he had as a modern yogi.
To do that, to learn to be feminists (get over the word already: it doesn't connote female domination and you know it), most men need to have a transformative relationship with a fully realized woman.
In the same way, white people in this country don’t even begin to undo their inherited racism (even if they emotionally antd intellectually despise racism) until they enter in to deep relationships with people of color as equals. It's not just a matter of professing the right politics. Politics is surfacy, but race and gender are visceral.
It is difficult to imagine someone who understands the process of self-transformation through relationship explicitly taking advantage of his gender and size to leverage a sexualized power over small women. Someone who’d sensitized himself accurately to any women’s subjectivity would have some idea of the almost primitive responses that would call up in her, and would respect her enough to give her space. (It's not like women don't create gender inequality just as much or more than men.)
I do hope this teacher will find this discussion, because maybe he truly doesn’t know that his conduct is symbolically freighted and viscerally affecting. It's so much easier to be lighthearted about this, and not see its serious side. But you are a powerful man, man. Have some respect for that power of yours.
Two. WHATEVER! Ashtanga yoga is about doing what is uncomfortable. That's it. End of question-period.
This practice is a process undoing fears through direct experience. I worry that I have made a “thing”—a personal mental obstacle—out of my feelings about this stranger.
"I won't go to that teacher because he scares me." Hmmm. Really!? Again, whatever. Doing your practice in the presence of fear is one of the few things about which SKPJ is explicit.
Most people are still sexist on some deep level. This behavior is common in the world I inhabit: people who get it are the exception. It’s just not up to me to care. Or correct. Though if I'm in a relationship that's messed up, of course I have to do some pushback and take responsibility for protecting myself. Doing that is itself just a part of facing fear.
So it looks like at some point I’ll have to track this joe down and practice with him. Not repeatedly or anything, but for the sake of it. I’ll try not to flirt with him, which is exactly what I would have done if I hadn’t seen that profile (because word is he is a funny guy, and I would have cued into that to take the edge off any potential authoritarianism). But I might have to do something that violates his sense of propriety on my way out of “his” room. Any suggestions?
Ha!
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Saturday XXV · 22 September 2007
I accidentally flew first class back into Los Angeles late-late on Monday. And for the first time after this restless desultory summer, it feels like a place I want to stay for a while.
So now I will go down to the workshop and construct a machine. This is my life for fall: practice, research, write, relate, sleep, repeat.
Clockwork is what I want. Small little interlocking orbits. From which novelty is meant to emerge.
I don’t know if the machine will work as intended.
As for Colorado, I’m not going to write about my grandmothers whose selves are shrinking, my 87-year-old grandfathers who are becoming the sweetest caregivers, the avuncular difficulties (me too, ESJ), the good cousins plus the horribly criminal one, or the pair of ghosts that haunted all family events. The trip was a body blow, but not in a bad way. I need to get reality-checked like that sometimes.
Except I could have done without all the Nabisco. That’s the thing about working class roots.
Monday I practiced in Boulder, which contrary to my expectation did not make me want to ply the U of C for a job next year. So much for expectations. But my perfect brother and I did have a good lunch outside on Pearl Street after the rain, and then drove the Hyundai back to DIA. In the Avis shuttle I hugged him and his three bags of Telluride Film Fest paraphernalia, and sent him off to a three month artist residency in Paris. That part is always a little wrenching.
By the way, that last post generated more stats (189 distinct visits a day? Who are you silent people?) and more off-blog email contacts than anything heretofore published here at IO. Maybe it’s just the gossip factor, as Tiff experienced a while back. Or maybe there needs to be a support group on the subject.
Saturday links, for the first time in a while:
? So I keep watching the trailer for Southland Tales. Mike Davis apocalypse-ness with Wm. Gibson plot devices, Pixies soundtrack, Dwayne “The Rock” Johnson’s flashy teeth, dystopic Los Angeles, choppy reality TV edits and gratuitous color saturation. And, if you are into that, a side of Justin Timberlake.
? Podcast for AF et al. Robert Spellman discusses the “key distinction between the theoretical and the yogic, and how that distinction relates to artistic practice.” Bear with the first few minutes of ham-handed metaphysics, because afterwards he discusses how practice can render a “clarity and accuracy of being.” Good thoughts about the different ways shamatha (one-pointed) and vipassana (insight) methods interact with artistic process. He quotes Chogyam Trumka that vipassana introduces the conceptual mind back into meditation after that mode of thought has been set aside for a period of time.
Spellman seems a reader of John Dewey, which is nice. This marriage of pragmatism and contemplative practice hits close to home.
If the above is inspiring, Anna Douglas has some talks up at Dharma Seed. I have not listened to them, but her understanding of meditation and creative process is interesting and sort of deep. She is a doctor of psychology who has practiced vipassana for 25 years and shows strong Zen leanings.
? I decided to link my Goodreads profile here (also in sidebar) in order to encourage myself to keep it current. Hey you: get in, be a friend.
? Funny entry in the geekipedia: Collins-Dawkins Faith Smackdown.
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Yoga Is Dangerous, Part III · 18 September 2007
This is not a rant. Maybe it ought to be.
This is a request for someone to help me find humor in a dark bit of tabloid-quality ashtanga flotsam.
This is not a rant because I’m trying to find a middle path between two thoughtful, true perspectives. One, Lax’s reminder that Astanga Yoga is a subculture which tends to cult-like boundary-policing. Yes, it is; and I don't want to be the police. But two, there is Cody’s ongoing meditation on the way in which teacher- student relationships are at least traditionally an integral, even "sacred," aspect of this practice.
So here is the story. A friend was just surveying the ashtanga alternatives here on the west side of Los Angeles, and googled a local teacher neither of us has met. Authorized teacher. Well-connected guy about whom I have heard some good things. Has taken over the room built and nurtured for more than a decade by the philosopher-king Chuck Miller.
Google result: Myspace profile. Who he would like to meet, quote: "Petite brunettes. With daddy issues."
Dude.
Disturbed owl.
Very.
Maybe I’m being uptight. In general, I’m particularly uptight about professionalism, and about respecting teachers. Both those dispositions keep me from knowing exactly how to feel about this self-advertisement, but taking it as a joke feels like it legitimates a sad old sexist dynamic. (What if a female yoga teacher tried this? Now that would be funny.)
Some would say a teacher has a right to express all the beautifully complex and shadow parts of himself openly. That’s a really good argument. But it also would legitimate viewing a teacher as a person with multiple personalities, whereas an implicit goal and undeniable effect of this practice is that it brings the various parts of our selves together over time.
I’ve said before that yoga is dangerous. Because, among other things, it strips away conditioning: lets you see your own behavioral patterns and the power asymmetries in which you indulge, makes you aware of your own sexual energy and how you tend to use it. Yoga is incredibly dangerous, but this has me thinking that some times it is not at all dangerous enough.
I'm sitting here imagining walking into a room where this was the “secretive” intention. I cannot envision it without a visceral feeling of external threat. And that’s not the kind of danger I’m after.
I wonder how many women around here have done their research before class, found the profile, and decided to stay away.
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Shadow Visitor and an Addiction · 6 September 2007
A migraine woke me at four in the morning last Saturday, three days into silence. The headaches started two years ago and I take them like the scrappy little Rocky Mountain pioneer my dad raised, but this time the entire tone of the thing was different. Intense. Hard-edged.
Guess that’s what it feels when you have zero options for migraine-distraction. Not even mental options.
I could feel the thing’s specific location in the physical brain, and the pain was both more intense and less horrible—the latter because this time I wasn’t angry at it for interrupting my day. What did I have to interrupt?
I usually take control by creating distraction. It’s a competition for which one of us—me or it—will determine the day’s activity. I win if I get on with it, even if I move around like the hunchback of Notre Dame and have to call my brother for sympathy. When I start losing, I fortify my position with Excedrin. Other women in my family bypass this stupid struggle and automatically drug up the first day of the month. They’re smart. But it was the men who taught me how to relate to my body, so I’m stubborn.
By 9 am, I had spent five hours in the fetal position, exploring the sharp edges of the pain but afraid to just go into it and know it fully. Hello, fear. That resistance was building up all over my body. The sensation was coming in waves, but the fear just kept getting harder and thicker brick by brick. No way was I going to sit my body upright and take my attention to the center of that space behind my right eye.
Admitting that, I hunchbacked down the hill to the kitchen, and asked if there were any caffeine on the premises. Yes, contraband was available, said the big angelic chef, but would I like to try some ginger tea first?
Here is what I thought: I want DRUGS, not SYMPATHY! Said: Thank you. I will sit over there.
She cut up a whole root and boiled it. A half hour later, still hunched over a table, I told her that I was probably hallucinating, but I could feel a blood vessel in the front of my head dilate and move the pain around. She said I wasn’t hallucinating.
I still didn’t have much awareness of anything except the place behind my eye, but after the ginger took the fear out of the pain, I felt interested in checking it out. So I went back to the cushion and mildly hallucinated for the rest of the day.
God it was trippy. Enough physical “pain” to keep me oblivious to the outside world, and so much inner entertainment that I got lost in it. For hours.
When I’m quiet enough not to need the anchors of breath or mantra to keep my insane mind from writing novels, I like to watch the light play on the backs of my eyelids. But this time it was a whole show. A little hawk or comet or dandelion fuzz—some kind of flying shadow—appeared and swooped all over. A shadow dervish. I had wild dreams that night—so much for Patanjali’s dreamless sleep—and then the dervish came back the next day and stayed until evening.
Sitting there out of time, watching it, had nothing to do with nothingness. There was a stable emotional tone of absorbed amusement. It didn’t feel profound or important: it just felt fun, like an innocuous game.
I didn’t want it to end.
Which must have been obvious, because on Sunday night an instructor climbed on the dais, before the pair of Buddhas (a dark male one and light female one) and said teasingly, “Well aren’t you good meditators! Let go of the sitting posture. Let go of the activity of medititating. Just be mindful. Just get up and leave.”
I went to bed scheming about how I have to do a month-long or more. And laughing at myself for the reaching: literally, this time, a reaching for nothingness. Is that why we invest all this time in sitting practice, for the bliss payoff? Maybe we’re just addicted to a mental state—and contemplation is just our method for getting there.
I don’t know. If my deepest motives are just so much spiritual materialism, though, I’m not ready to dismiss them as bad unholy desire. I am hungry for insight and pleasure. In love with the journey, seduced by the grail quest. All of it. Badly.
So I get attached to mental sates. If I didn’t, I’d have quit the astanga practice years ago. At least you can’t make too much trouble when you’re in a trance.
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Sharpen Your Nerves · 4 September 2007
Last Thursday morning, Isaac Brock appeared to me floating in a cartoon cloud and hissed: “Sharpen your nerves!”
Then he cackled and grinned at me with a mouthful of teeth filed down to points. Screamed: “Sharpen your nerves! Ahh haa haa haa!!”
Fine Isaac. I’ll stop being a lazy ass, sitting here on the cushion layering interpretations on my immediate experience.
But I wondered: what if you took notes on a meditation retreat, to snag some of the really good interpretive thoughts before they flew away? Would it make it easier to let thinking go?
Turns out that no. It would keep your brainwaves a little spiky, because you’d need to whip up some focused discursive thought in order to write. And yet what you did write would be stupid and empty later.
I know this because the next day I tried writing a few things down. Stupid things.
Here’s from the notebook:
“There are turkeys! Large!”
“Wanting to hug everyone. Must practice non-hugging. Do not molest.”
“Ghee. God we’re weird.”
Now I’m surprised I had to preserve these words, and others which are dumb enough I won’t even transcribe them.
It makes me wonder if the deeper moments of awareness and sensation I experienced during the week week, moments which seemed tinged with the ineffable, were actually vapid nonsense. Probably. But just in light of my present state of mind. Trying to interpret, and evaluate, that state of mind with this one is problematic.
What’s salient there is trivial here; and the contrary is even more true.
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The Guru's Segway · 26 August 2007
Sitting in the MOMA café two Fridays ago, thinking about Helvetica, when the yoga people call. I’d left voicemail at the Dharma Mittra center days earlier, asking if they’d take a west coast irregular at the long Saturday night intensive. Thought I’d received the silent no, and meantime had made plans to be at the Puck Building (interestingly enough) on Saturday night, for a reception that would collect my favorite score of sociologists.
Mmmm. Priority conflict. For about two seconds. I clearly enunciated all my credit card information to the caller, confident the hipsters at the next table were less smart than they looked.
Next night, old men on the street in Gramercy Park were doing approachable old-man things, but rather than ask for directions I trailed a giant purposeful yogi a half-block north, moving quickly. Very many good tattoos fresh enough to refer to this phase of his life rather than (like mine) one previous, but both earplugs and dreads so large that he’d been working on them awhile. He was warriorish, and suggested I was in for a break from Santa Monica diamonds and matched Lululemon. He took the stairs two at a time, which I couldn’t follow without making a racket. And besides, I stopped at the first landing to check out the guru’s segway.
Then climbed in to a long thin room full of summer evening light and vegetarian sweat. People were politely staking claims, tucking glasses and cell phones into a bookcase full of Danskos.
Mister Plugs and I were early, but the last two of maybe 40 to arrive. I was glad for that, setting up at the back of the room where’s there’s a solid floor, rather on the front 2/3 that is covered with faded rose shag that could be as old as me. Right above my mat, 15 feet up, was a disco ball in an angular skylight. Ad-hoc feng shi.
To the right (beyond a tattooed over-50 man who had a strong war-veteran-ness about him and who would make repeated comments about my hamstrings as we worked toward yoga nidrassana) was an altar featuring Jesus, Aurobindo, Yogananda, and I think Hanuman. (Nidrassana-man would feel far less lecherous hours later, when the whole thing deteriorated into an ecstatic-chanting, posture-striking mess of bodies.) I only tend to care about altars if they contain a candle I can use to balance. But this altar interested me because it brought parts of my neglected heart together: never has the Jesus-Yogananda association been so clear. This would be the first time that my old relationship with the Jewish carpenter would seem at all relevant to my yoga practice.
The large window out over the street was crowded with more of this hindoo-hippie detritus of what Dharma Mittra (Dharma? Mittra?) later said was his forty years in this space—during which his first segway, and before that 14 bicycles, have disappeared from that stoop on the stairs. (All of this karmic payback for horses, and perhaps one elephant, he stole in past lives. He is glad to give up segways to settle his score.) In the window, plants only a mother would love, glass ornaments of rainbows, dusty candles, and a giant metal OM looking down oven the intersection at 23rd and 3rd.
We crowded in on the pink shag, looking up at him and up at the OM, and made the intonation for a very long time. Across the street a young man pulled off a tie (on a Saturday?) and dress shirt, and I thought of Edward Norton in Fight Club. Did this young capital- lackey know what he was getting in to when he rented the place? We OMed and OMed. I thought about the cardsculpture stacks of citrus fruits at the stand down below, wondered if we were creating a comedy streetscene by dislodging them.
Then, drawing in a little closer, I started to see the people around me: 30s, professional, uptight, white. Possessing triceps. I fit right in.
This was not what Mister Plugs had led me to expect. No surprise it would take this group a while to open up to the ecstatic yogachurch Dharma Mittra wanted to conjure.
But here it is paragraph ten and I haven’t even set eyes on the man’s face yet. We haven’t even taken the first sun salutation (or the second, in which he’d nonchalantly instruct us to take pincha from downward dog).
Looks like I am recounting this at the pace to which I have to slow down in order to remember it, now that it’s more than two weeks past. I’ll try to speed this thing up and offer a proper workshop review. Later.
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Pirates of the Air · 23 August 2007
If you’re going to be exacting, be exacting about the breath.
Fourth day of Mysore with Petri the Pirate. He doesn’t teach to poses so much as to the breath—although he finally busted my cheating supta urdvha pada today, for the split second I drop the toe as I roll past the elbow (locking my eyes, whispering “You have to DECIDE! The toe is YOURS. Decide every day. You WILL NOT DROP IT”), and when I took my own ankles in a backbend, “Tomorrow you do yourself, without me holding.” Here’s to the power of suggestion. Phhhhhhhhhhhht. But anyway, most of what we’re doing is exacting my vinyasas. Basically, this involves adding an extra exhale in a few places, and attempting to inhale-UP! out of most postures.
In theory, the extra breaths should make practice easier, but as it is, knowing he’s listening far more than watching, I’ve placed my attention even more on the breath than usual this week. I love practicing this way, and with this kind of awareness from a teacher. But somehow in this process I’ve lost a sliver of inhale, shortened it to match the exhale (whereas usually I'm a hair long on the inhale), so over the course of a 140-minute practice I slowly edge into the red. Some inhale-retention might be due later.
Half an hour after rolling out of rest, and my wrists are still atremble on the banks of my keyboard. Breath superslow, deep and greedy.
I have consumed an unbelievable 64 oz of water in the past 40 minutes (how is this even possible?), and am finally, as a result, feeling grounded. In savasana I practiced a bit of yoga nidra where the body becomes heavy, drawn into the ground like a block of lead, and then becomes light, weightless, air. Hearing Jasmine Riddle, from a secret hippie-magick cassette I found in the obscurest of university archives (and is now, eyebrow-raisingly, a regular line on my far-from-private library record) as she warps soundwaves with her warbling chant of “heavy heavy, light light.”
What’s with that about conquering gravity in the third series? I’m a long long way from such things, measuring by my urdvha kukkutasanas, but today there is such an spacey lightness that I’m not going to get a whit done until I refind the earth. Matthew Sweeney noted in a podcast recently that astangis tend to overemphasize lightness, I suppose to the point that we of the subculture becomes rootless and unsteady.
I just downed another 10 oz of lemonwater.
I think I’ll read a stack of book reviews before I try to do anything semi-important with my brain this morning. Tomorrow, primary series, close to the ground and counterbalanced with great inhalations.
That’s enough vinyasa talk for this owl.
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Holy Bones, Part II: Reading the Entrails · 31 July 2007
I mentioned over a week ago in this space that I would write out my dark night of the sacrum in the next posts. Interesting how the commitment has clammed me right up.
There is avoidance here, a wish to be able to speak of the thing in the past tense. And there’s also a hesitancy to “own” the thing. I don’t want to identify with it—and that’s for the better—but I also have a fear of granting that it is inside of me. That, in a sense, it owns me.
Ooh but we can be superstitious about our pains. I am looking for a way to face this that isn’t in the form of complaining but that also doesn’t dive hopelessly into pain-interpretation. Because it is possible to read the pain patterns with all the misplaced sincerity that a shaman reads chicken entrails.
I’m all for interpreting my entrails, but not as if they contain a big scary-serious message from the beyond. And on the other hand, I’m all for expressing that I’ve been stuck, but have a childhood-engrained disgust for whining that sometimes gets my tongue.
Meantime, groping about for honesty, here I am, talking about this “injury,” this “shifting,” this dark night of more than just the sacrum, as a “thing.” Interesting.
We are always creating objects. What’s up with that?
It’s ok on some level—completely ok. We objectify as part of the process of transcendence. It’s only nasty to objectify the wrong stuff, like the beings we’d do better to treat as subjects. But yes, we do turn processes into things. Sociology and Buddhism both criticize this rigorously: Sociology in the critique of reification (which grew out of Marx’s “fetishization of commodities,” through the Frankfurt school’s cultural nonsense and into the critical work of my hero Bourdieu), and Buddhism in the injunction not to treat feelings or processes as if they were “solid” when truly they are fleeting. Both disciplines are always on the watch for what Whitehead called the fallacy of misplaced concreteness. This is part of why I feel at home (albeit on the margins of) both.
But sometimes there’s a place for concreteness. I’ve been excited this week about Hegel, the original owl-of-minerva curmudgeon who I never really understood. His theory of history, which I’m now learning is uncannily adaptable outside of western philosophy, is the “phenomenology of spirit.” Shit. What? Long story.
Basically, it’s something about how in the process of growing up and out—in the process of becoming our ultimate essence—we step up out of (Wilberspeak: “transcend and include”) certain stages. And then turn back and regard those stages as somewhat concrete, done-over-and-wrapped-up, elements of ourselves.
Maybe this is obtuse. But I’m caught in a liminal space here, between being wordlessly inside a process and being able to stand outside it and mark off its boundaries in words.
I will keep trying… even as I keep falling on my face in UKK-C. (A chicken pose, no less....) I plan on making it there eventually.
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Holy Bones, Part I · 24 July 2007
Monday a teacher knelt by my mat and told me that nobody understands.
I felt so understood.
This teacher has worked with thousands of practitioners over the decades, so if he says the shift in my skeleton is something nobody understands, that’s something.
“You can’t even talk about it because nobody understands, I know,” he said, kneeling there. Then he told me that out there somewhere, an old friend is doing advanced practice on a shifted sacrum same as me, and after a year of holding out, his has just suddenly self- corrected. His friend says, “I don’t understand it. It’s just getting better.”
So, that makes three in the community of understanding the non-understanding of the shifted sacrum.
I haven’t had much to say here or anywhere the past four months that this complex has been upon me, but now that the demon in my low back has diminished from a self-replicating beast to one single, cowering little shit, I realize the time to write about this experience is growing short. I hope.
So for the next few posts I’ll write about this a bit, in an effort to reclaim the sacrum from the realm of the unknowable. In case it’s helpful to anyone, I’ll torture out of myself some documentation of the physical (for some reason, discussing my own physical practice bores me very much). But, apart from my suspicions about the first and second chakras, which I am not going to discuss, most of my reflections due to this injury have to do with the uses and misuses of body awareness, and the possibility of finding bliss in the presence of pain.
Of all the parts of the skeleton, it’s easiest to spiritualize the sacrum. The holy bone, the house of the serpent, the primitive remnant of a tail, or the super-evolved pyramid-tip of the plumb line that roots the spine. And I won’t say I haven’t experienced this injury as a kind of stitch in the spirit as much as a pain in the ass. But ashtangis easily get carried away spiritualizing our injuries—looking for stories to explain them, looking for blame-takers, seeking “the” solution. And the limited sense that one never quite knows what she thinks about something until she can put it in words, I suppose it’s useful to write about this topic even though part of me would prefer to let it all pass into vague remembering… at least until a new turn of the bone brought it all rushing back another 5 or 15 years from now. Maybe, too, this will be useful to someone else out there in the community of the non-understanding of the understanding of the shifted sacrum.
It is hazardous to think of the body as a self-correcting system. The body dies, after all. And yet damn if it isn’t also the vehicle for discovery and for bliss and for awakening; and I’ll be damned if when treated with indulgent, loving patience it doesn’t self-correct. Humans create our own pain very often, but we are also healing ourselves all the time. It may be what we do best.
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What is fashion? · 13 July 2007
What is fashion?
What is it?
Throw me a bone, people.
I think I have 75% of the answer worked out, but what interests me is the remaining 25%.
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New Machines for Expired Ideas · 11 July 2007
I’m looking at a headline: Brain Scans Reveal Why Meditation Works.
And thinking: Nooooo. Brain scans reveal that meditation works. A map is not an explanation.
Now that researchers have FMRI machines, there’s a boom in research on the so-called “effects” of meditation practices on the brain... or "causes" of the brain's effects on the meditator (clearly, the research designers are confusing themselves). FMRI takes very cool pictures of parts of the brain lighting up. But that’s it. It’s cartographic--and primitive, in a sense. But since it’s new, it’s spawned literature on the “effects” of meditation—something forward-thinking neuroscientists have cared about since the Dalai Lama started talking to them 25 years ago and some innovative philosophers, economists and brain scientists set up the Mind and Life Institute.
Ok, that’s great. The new UCLA study I’m reading is typical. The scan shows that certain neurons light up when people “experience” negative emotions (produced by looking at other faces embodying negative emotions—I'm not even going to unpack the weird assumptions loaded into this research design), and that the brain’s emotion center calms down when a subject identifies and takes a distance from these represented emotions. According to one of the authors, “These findings… suggest, for the first time, an underlying reason why mindfulness meditation programs improve mood....”
So ok, hold up.
First, the tautology problem. What’s the cause and what’s the effect here? They have essentially “discovered” that distancing yourself from bad moods… distances you from bad moods. The effect and the cause are the same. No wonder their findings are statistically significant.
Just because some neurons are involved does not make the neurons the “cause” of this whole process. They’re just part of the process—albeit the only part the researchers can quite recognize as real (and thus the one they identify as a “cause”).
The only reason the researchers think that the first phenom of mindfully identifying and detaching from an emotion is separate from the second phenom of the lights going dim in the emotion center is that they are crazy old dualists who believe thought is an gauzy ghost separate from the material “reality” of the brain. They imagine their finding is an instance of intention causing action… though any meditator could tell them that emotional experience and intention are inter-twined and mutually reinforcing. Sure, the meditator says: You can change your thoughts, but only after discovering how your thoughts are already changing you. One does not simply cause the other. And ultimately, thoughts themselves and the thinker’s immediate experience are not separate.
I wonder: if these scientists knew their own minds better from the inside, would the create more subtle, accurate concepts?
Second, and this is what irritates me, the main scientific excitement over this research stems from the assumption that experiential phenomena are only “real” if they have a measureable physical manifestation. Materialism 101. But thoughts and intentions are also real (I wouldn’t say they’re “things,” like The Secret says, but anyway). You can’t take pictures of intentions with FMRI machines, but on a practical, everyday, human basis, pretending thoughts aren’t real is some wicked reductionism. And that’s the thing: mind, subjectivity, interiority, thought—all these beautiful inner phenomena—do not reduce to neurons firing. Taking my cues from Bourdieu the master-synthesizer, I’d submit that the subjective (mind) and the objective (brain) sides of this picture are mutually constitutive and equally real. It’s just that you can’t take FMRI pictures of inner states per se.
The leading edge of western, and if I may, global, culture is rushing toward holistic understandings of mind-body. This shows up in social science’s sensitivity to embodiment, in athletes’ dedication to mental training, in the eastern-western culture of yoga, in the synthetic social theory that theorists of both mind and society are patching together, and in the dissipation (in certain cultural strata) of all kinds of mind-body practice.
Neuroscientists want to be a part of the revolution, as I’m seeing especially on the west coast—at places like the the UC Davis Shamatha Project, the Santa Barbara Institute for Consciousness Studies, UCLA’s Mindful Awareness Research Center. Since they’ve got the biggest budgets and the shiniest tools, they’re likely to get an audience in defining the 21st century mind-body, but right now all they’re doing with it is advancing a new version of thought/brain dualism. This isn’t the same as reducing mind to brain, but it could easily go back in that direction.
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